11 edition of Music, modernity, and the global imagination found in the catalog.
Includes bibliographical references and index.
|LC Classifications||ML3760 .E75 1999|
|The Physical Object|
|Pagination||viii, 312 p. :|
|Number of Pages||312|
|LC Control Number||98007806|
“Style Is Just the Man Himself” “Style Is Just the Man Himself” (Auto)Biography, Self‐Identity, and Fictions of Global Order. Chapter: (p) 2 “Style Is Just the Man Himself” Source: Music, Modernity, and the Global Imagination Author(s): Veit Erlmann Publisher: Oxford University Press. The book Music and the Racial Imagination, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." "Death is a Drum": Rhythm, Modernity, and the Negro Poet Laureate Larry Scanlon Race, Class.
He has just finished the manuscript of his first book, entitled The Folk: Music, Modernity, and the Political Imagination. Matthew Pritchard is Lecturer in Musical Aesthetics at the University of Leeds. He has published on aspects of music aesthetics from c– in Germany, and is working on a book examining the aesthetics of this period. The Aesthetics of the Global Imagination: Reflections on World Music in the s Veit Erlmann Presumably it is diference that kills otherness. Baudrillard 13 1 orld music is popularly believed to be a “roots” phenomenon, an Yet, as the analysis of recent .
His books include Reason and Resonance. A History of Modern Aurality (Zone Books, ), Hearing Cultures: Essays on Sound, Listening and Modernity (Bloomsbury, ) and Music, Modernity and the Global Imagination: South Africa and the West (Oxford University Press, ). "A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue.
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Music, Modernity, and the Global Imagination tells the story of how these artists, activists, and agents effectively invented each other in travel diaries, religious hymns, concert performances, Music videos, Broadway plays, and autobiographies.
Erlmann also argues that the resultant mixture of myths and fictions--as distinctly imagined by Cited by: Find helpful customer reviews and review ratings for Music, Modernity, and the Global Imagination: South Africa and the West at Read honest and unbiased product reviews from our users/5.
Hardcover. Published: 03 June Pages | 19 halftones, 31 line illus, music examples. /8 x /4 inches. ISBN: First, Music, Modernity, and the Global Imagination advances the notion that the new global reality marks a critical moment in the history of the world's cultures that engages Westerners and non-Westerners in complex, multiply mirrored ways.
At the same time, although the West seeks to retain a and the global imagination book stake in the attempts at stabilizing this. How do Western images of Africa and African representations of the West mirror one another.
This book examines the complex issues involved in the making of modern identities in Africa, Europe, and the US via a study of two striking episodes in the history of black South African music.
The first is a pair of tours of two black South African choirs in England and America in the early s; the. EBOOK Music, Modernity, and the Global Imagination: South Africa and the West PDF EPUB MOBI AUDIOBOOK.
Music, Modernity, and the Global Imagination: South Modernity and the Westby Veit ErlmannCategory: BookBinding: HardcoverAuthor: Number of Pages: Total Offers: Rating: Total Reviews: 2 Results Mus. Music, Modernity, and the Global Imagination: South Africa and the West This modernity was an imagination coproduced by global agents, each offering distinctive capitals to transform China’s.
Get this from a library. Music, modernity, and the global imagination: South Africa and the West. [Veit Erlmann] -- "How was Africa seen by the West during the colonial period. How do Europeans and Americans conceive of Africa in today's postcolonial era.
Such questions have preoccupied anthropologists. PDF | Music, Modernity, and the Global Imagination: South Africa and the West. Veit Erlmann. New York: Oxford University Press, pp., | Find, read and cite all the research you need on Author: Angela Impey.
Free 2-day shipping. Buy Music, Modernity, and the Global Imagination: South Africa and the West (Hardcover) at nd: Oxford University Press. Music, Modernity, and the Global Imagination: South Africa and the West by Erlmann, Veit. Used; very good; Hardcover; Condition Very Good/Good ISBN Get this from a library.
Music, modernity, and the global imagination: South Africa and the West. [Veit Erlmann] -- How do Western images of Africa and African representations of the West mirror each other.
This study focuses on the tours of two black South African choirs in. Since Music, Modernity, and the Global Imagination covers so much ground and deals in interesting ways with a number of pressing concerns for today's social and cultural theorist-all this in some pages- I will forego a routine summary of its contents for brief comment on four issues raised by the work.
Music, Modernity, and God Essays in Listening Jeremy Begbie. A major new contribution from one of the leading voices in theology and the arts; Addresses some of the most intractable theological "problems" of the modern age through the lens of musical thought and experience.
His most recent book,Music, Modernity and the Global Imagination, published by Oxford University Press won the Alan m Prize for the best English-language monograph in ethnomusicology.
Links: Veit Erlmann’s webpageOccupation: Professor of Ethnomusicology. Erlmann, V. () Music, Modernity, and the Global Imagination: South Africa and the West, New York: Oxford University Press Feld, S. () ‘ Notes on world beat ’, Public Culture Bulletin, 1, 1: 31 –7.
The Sociological Imagination - Ebook written by C. Wright Mills. Read this book using Google Play Books app on your PC, android, iOS devices.
Download for offline reading, highlight, bookmark or take notes while you read The Sociological Imagination/5(11). MODERNITY AT LARGE Paperback: pages Publisher: University of Minnesota Press (Novem ) Offering a new framework for the cultural study of globalization, Modernity at Large shows how the imagination works as a social force in today’s world, providing new resources for identity and energies for creating alternatives to the nation-state, whose era some see as coming to an end.
- Buy Global Modernity: Modernity in the Age of Global Capitalism (Radical Imagination) book online at best prices in India on Read Global Modernity: Modernity in the Age of Global Capitalism (Radical Imagination) book reviews & author details and Author: Arif Dirlik. MUSIC, PHILOSOPHY, AND MODERNITY Modern philosophers generally assume that music is a problem to which philosophy ought to offer an answer.
Andrew Bowie’s Music, Philoso- meaning and nature of music. The ideas for this book have been a long time in germinating, begin-ning during work on Thomas Mann’s Doktor Faustus for my PhD in the. Global Modernity book.
Read reviews from world’s largest community for readers. A compelling essay on the contemporary human condition. William D. Cole 4/5(6).Music, Modernity and the Global Imagination is in many respects a profound book which repays careful (re)reading.
However, the language tends to weigh it down for it is at times a dense, sometimes obtuse and occasionally jargon-ridden, work.Even our larger magazines, book publishers and Hollywood are beginning to meet the rising demand for this kind of escape. Yes, there is a craving in the world like a thirst, a terrible mass pressure that you can almost feel, of millions of minds struggling against the barriers of time.